Sarah Breedlove, known as Madam C. J. Walker is regarded as the first female self-made millionaire in America. She made her fortune by developing and marketing a successful line of beauty and hair products for black women under the company she founded, Madam C. J. Walker Manufacturing Company. Learn more »
Hair-care and cosmetics mogul Madam C. J. Walker, credited as the first African American millionaire, was born in poverty as Sarah Breedlove on December 23, 1867, in the village of Delta, across the Mississippi River from Vicksburg, Mississippi. She may also have been the first American woman to become a millionaire through her own entrepreneurial achievements. Walker earned her fortune through the successful production and marketing of beauty products for black women.
Her parents, Owen and Minerva Breedlove, had been slaves on a Madison Parish plantation. Although Sarah was the first member of her family born into freedom, her childhood was nevertheless fraught with hardship. Because both parents had died by the time she was seven years old, she moved to the home of her older sister, Louvenia, and her brother-in-law, Willie Powell. To escape Powell’s abuse, Sarah married Moses McWilliams at age fourteen. Because she was only twenty years old when he died, she was forced to move with their daughter Lelia (later known as A’Lelia) to St. Louis, Missouri, where three of her four brothers had settled. Sarah found work as a washwoman, and in 1894 she married John Davis but divorced him in 1903. She joined the African Methodist Episcopal Church, where she encountered other middle-class blacks who answered Booker T. Washington’s clarion call to self-improvement and enterprise. Inspired by her own hair loss, she prepared and sold shampoos and ointments containing sulfur to treat scalp disease. Her brothers, who worked as barbers, provided her an introduction to the hair-care business.
She moved from St. Louis to Denver, Colorado, in 1905, reportedly to find a market less crowded with hair-care products.There she worked as a cook and took in laundry, saving money to invest in her business and to pay for her daughter’s college tuition. Her rise from poverty to the middle class was marked by her marriage in 1906 to the newspaper advertising salesman Charles Joseph Walker, who gave her the name under which she became famous. She remained Madam C. J. Walker after their divorce in 1912 and called her firm the Madam C. J. Walker Manufacturing Company.
The demand for her product line, which addressed the particular cosmetic concerns of African American women, proved to be enormous. In the early years, Walker and her husband traveled door to door, selling preparations such as “Madam Walker’s Wonderful Hair Grower.” Eventually, she recruited an army of salespeople who pitched the company’s wares. Advertising in the African American press was a crucial element in reaching consumers; her daughter operated a flourishing mail-order business in Walker shampoos and ointments. She moved to Pittsburgh in 1908, where she established a short-lived school that trained black women to style hair; in 1910 Walker relocated to Indianapolis, where she built a factory and corporate headquarters that employed more than three thousand people. Walker reported that her multilevel sales force had more than twenty thousand agents by 1919. She moved in 1917 to the Villa Lewaro, a mansion in Irvington-on-Hudson, New York, designed by the African American architect Vertner Tandy. Walker died there on May 25, 1919.
Although she had little formal education, Walker was an indomitable spirit, never content merely to amass wealth from the sale of shampoo and cosmetics. A social activist devoted to the advancement of African Americans, Walker encouraged black women to establish businesses and became one of the country’s most popular African American lecturers on social, political, and economic issues. She donated generously to the NAACP and other black organizations, especially schools and orphanages. She made the largest single donation to the National Association of Colored Women’s effort to buy the home of Frederick Douglass in Washington, DC, so that it could be preserved as a museum. After Madam Walker’s death, A’Lelia Walker became president of her mother’s company as well as a patron of the Harlem Renaissance, a cultural movement in the famed Manhattan neighborhood, which was dedicated to the elevation and propagation of African American culture. Her Harlem townhouse became a salon where artists mingled with businesspeople and civic activists.
Reflecting upon her remarkable life story, Walker said, "I am a woman who came from the cotton fields of the South. From there I was promoted to the washtub. From there I was promoted to the kitchen cook. And from there I promoted myself into the business of manufacturing hair goods and preparations."
Although it was among the most successful black-owned businesses in America during the early twentieth century, the Madam C. J. Walker Manufacturing Company did not keep pace with changing times and increased competition. It ceased operations in 1981.
The Walker Theatre Center, a project Madam Walker began in Indianapolis before her death, has been revived in recent years as an important performing arts facility. Walker’s birthplace has been converted into the City Hall of Delta. The National Trust for Historic Preservation declared Villa Lewaro a "national treasure" in 2014 and efforts are underway to preserve the mansion.
Cite This Entry
Chicago Manual of Style
Jeansonne, Glen, and David Luhrssen. "Madam C. J. Walker." In KnowLA Encyclopedia of Louisiana, edited by David Johnson. Louisiana Endowment for the Humanities, 2010–. Article published June 4, 2013. http://www.knowla.org/entry/1066/.
Jeansonne, Glen, and David Luhrssen. "Madam C. J. Walker." KnowLA Encyclopedia of Louisiana. Ed. David Johnson. Louisiana Endowment for the Humanities, 4 Jun 2013. Web. 26 Jan. 2015.
Would you like to learn more about this topic from books and other reading materials?
Bundles, A’Lelia.On Her Own Ground: The Life and Times of Madam C. J. Walker. New York: Scribner, 2001.